The front at which the film stands out is the research that has gone into making of the film. Whether it’s about the significance of Lord Shiva in the Kashmiri Pandit community or the well-documented tragedies that the community suffered in the 1990s. It is neither dramatised enough nor is it put out in the documentary-style storytelling (like Shoojit Sircar’s October) and that’s exactly where the enticement part of the story goes down.
